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DTSTART;TZID=America/Chicago:20240131T123000
DTEND;TZID=America/Chicago:20240131T123000
DTSTAMP:20260430T031633
CREATED:20240116T202233Z
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SUMMARY:Gallery Talk and Performance Inspired by Wangechi Mutu’s Crocodylus with Creative Assembly Cohort Member Lauren Messina and Javier Banks
DESCRIPTION:Expand your experience of Wangechi Mutu: Intertwined with monthly gallery talks inside the museum or in the Besthoff Sculpture Garden on select Wednesdays: January 31\, February 7\, March 6\, April 3\, May 1\, June 5\, July 10.  \nInspired by Wangechi Mutu’s Crocodylus sculpture in the Besthoff Sculpture Garden\, Creative Assembly Cohort member Lauren Messina has choreographed a dance that embodies her interpretation of the work’s transformative nature\, “being—not woman\, not animal\,” and “depicting power and deep scrutiny of human relations between the body and nature.” The event begins with a short talk by Messina about the sculpture and creating the dance\, followed by a performance from Javier Banks alongside the sculpture.  \nGallery talks are free with museum admission. Louisiana residents receive free admission on Wednesdays courtesy of The Helis Foundation.  \nTo book your ticket for this gallery talk in advance\, click the link below. \nGet Tickets \nAbout the Exhibition \nThis major solo exhibition of work by Wangechi Mutu brings together nearly one hundred sculptures\, paintings\, collages\, drawings\, and films to present the breadth of the Kenyan–American artists’ multidisciplinary practice from the mid-1990s to today. On view January 31–July 14\, 2024\, Wangechi Mutu: Intertwined traces connections between recent developments in Mutu’s sculptures and her decades-long exploration of the legacies of colonialism\, globalization\, and African and diasporic cultural traditions. The exhibition travels to NOMA from the New Museum\, New York. \nLearn More \nAbout the Performers\nLauren Messina\nLauren Ashlee Messina\, M.F.A. (she/her) is a Big Easy Award-winning dance choreographer with a heart for community engagement. Born in Springfield\, Illinois\, Lauren has developed her career in the Greater New Orleans area in collaboration with the Marigny Opera Ballet\, KM Dance Project\, the New Orleans Opera\, ELLEvate Dance Company\, Dow-Dance Company’s Binge Dance Festival\, and the CAC New Orleans as a 2022 Performing Artist-in-Residence. Her choreography has been performed at the New York Jazz Choreography Project\, the 92nd Street Y\, the Krannert Center for the Performing Arts\, and the Mississippi Museum of Art. Lauren received the Ailey School’s Oprah Winfrey Foundation Scholarship and participated in the Moving Toward Justice Open Workshop pilot program at Gibney Dance. She is a 2023 Platforms Fund grant recipient\, founder of My Free Dance Class\, and host of The Parent Artist Podcast on YouTube. In addition to dance\, Lauren participated as a video editor for NOVAC’s 2022-2023 Community Documentary Cohort and published the creativity journal and college editions of ChatGPT Prompts for Dancers (available on Amazon). Lauren aims to create meaningful movement experiences that inspire empathy and transformation by collaborating with artists across disciplines in a thriving collective environment that prioritizes mutual respect\, trust\, and care. \nJavier Banks\nJavier Banks was born and raised in Baton Rouge\, Louisiana\, and began dancing at the age of fourteen. They studied at Dancers’ Workshop\, under Sharon Mathews and Susan Perlis. With awarded scholarships\, Banks also studied at the American Ballet Theatre and Dance Theatre of Harlem. As a freelance dancer\, they have performed works with the Alaya Dance Company\, Kennedy Dancers\, Brooklyn Ballet\, Marigny Opera Ballet\, and Ballet Hysell. \n\nWangechi Mutu: Intertwined is organized by the New Museum\, New York. Lead support for this exhibition is provided by the Henry Luce Foundation. Generous support for this exhibition is provided by the Ed Bradley Family Foundation\, Agnes Gund\, Jacques and Natasha Gelman Foundation and the National Endowment for the Arts. Additional support is provided by The Robert Lehman Foundation. Support for the accompanying publication has been provided by the A4 Arts Foundation. \nThe presentation in New Orleans is sponsored by the Ford Foundation. Additional support is provided by Delta Airlines\, Gladstone Gallery\, Walda Besthoff\, Victoria Miro Gallery\, The Windsor Court\, Keith Fox and Tom Keyes\, Aimée Farnet Siegel and Mike Siegel\, Robin Rankin\, Elizabeth Boh\, Pat Mitchell and Scott Seydel\, Harvey and Marie Orth\, and Jeff Childers and Onay Gutierrez.
URL:https://nomastaging.org/event/crocodylus-performance/
LOCATION:Louisiana 
CATEGORIES:Performances,Creative Assembly,Gallery Talks,Wangechi Mutu: Intertwined
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240124T180000
DTEND;TZID=America/Chicago:20240124T180000
DTSTAMP:20260430T031633
CREATED:20240116T173805Z
LAST-MODIFIED:20240119T230446Z
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SUMMARY:Film Screening and Panel Discussion: The Black Indians of New Orleans
DESCRIPTION:Join us on Wednesday\, January 24\, in NOMA’s Lapis Center for the Arts for a screening of The Black Indians of New Orleans\, directed by Dr. Maurice Martinez. Following a sold-out program on January 7\, the museum looks forward to presenting an encore screening of this important film. \nA panel discussion follows the documentary. Panelists are Big Chief Darryl Montana\, Bruce Sunpie Barnes\, and Kamau Wesley Phillips. \nThis program is free and open to the public. Admission and seating are first come\, first served. No registration is required. When you arrive at the museum\, check-in at the admissions desk. \n\nThis program is organized by Creative Assembly Cohort member Diane Honoré\, who is Big Queen of the Yellow Pocahontas. \nAbout the Film\nThe Black Indians of New Orleans (1976\, dir. Maurice M. Martinez\, 33 min.)\nThe Black Indians of New Orleans is the first internationally acclaimed film to explore the origins and rituals of the Black Masking Indians of New Orleans. The film documents the cultural history of the Black Masking Indians\, their artful suit creation\, music\, call and response chants\, dance movements\, and gatherings for Sunday practices. The film includes sunrise-to-sunset coverage of the Black Indians in their suits on Mardi Gras in the 1970s. The film was produced by Dr. Maurice M. Martinez\, a New Orleans–born poet\, photographer\, musician\, filmmaker\, and scholar steeped in African American culture through both his heritage and academic endeavors. \nView Trailer \n\nABOUT THE PANELISTS\n\nBig Chief Darryl Montana\nBig Chief Darryl Montana celebrated his 50th year masking as a Black Masking Indian at Mardi Gras 2023. His Seventh Ward Creole family has masked for several generations\, beginning in the late 1800s with his great-great uncle “Becate” Baptiste Eugene of the first known tribe\, the Creole Wild West. Darryl’s father\, Big Chief Allison “Tootie” Montana (1922–2005)\, was known as the “Chief of Chiefs” and remains a legend within the Black Masking Indian community. \nDarryl Montana’s intricate designs and superb beading work have earned him widespread recognition. He received the Joan Mitchell Foundation Painters and Sculptors Grant in 2012 and a United States Artist Fellowship in 2015. He has exhibited around the world\, including at SITE Santa Fe’s Fourth International Biennial\, Beau Monde: Toward a Redeemed Cosmopolitanism\, and at Reg Vardy Gallery at the University of Sunderland in England. Recently\, the Musée du Quai Branly-Jacques Chirac in Paris acquired Montana’s 2015 suit for its collection and featured it in the exhibition Black Indians de la Nouvelle-Orléans. \nMontana passes along the tradition of Black Masking Indians and his artistry through various classes. He has taught children in workshops and summer programs through Xavier University of Louisiana’s Community Arts Program; and since 2019\, he has conducted a series of older adult beading classes at the Louisiana State Museum. Darryl was recognized this year by the Louisiana Folklife Commission as a tradition bearer for carrying on the Black Masking Indian tradition for over 50 years. \n\n\nBruce Sunpie Barnes—Bruce Sunpie Barnes\nIs a veteran musician\, park ranger\, actor\, former high school biology teacher\, former college football All-American\, and former NFL player for the Kansas City Chiefs. Barnes’s career has taken him far and wide and he has traveled to over 35 countries playing his own style of blues\, zydeco\, and Afro-Louisiana music incorporating Caribbean and African-influenced rhythms and melodies. He is a multi-instrumentalist playing piano\, percussion\, harmonica\, and he learned to play accordion from some of the best\, including Fernest Arceneaux\, John Delafose\, and Clayton Sampy. With his musical group Sunpie and the Louisiana Sunspots\, he has played festivals and concerts internationally\, and has recorded  critically acclaimed CDs. Barnes is deeply involved in New Orleans parade culture and takes his music to the streets. He is Second Chief of the North Side Skull and Bone Gang\, one of the oldest existing carnival groups in New Orleans and a member of the Black Men of Labor Social Aid and Pleasure Club.  \nKamau Wesley Phillips—KAMAU & Spirit of the Drums\nA highly regarded drummer and educator\, Kamau Wesley Phillips regularly teaches about African rhythms\, the musical connections between New Orleans and western African\, and the joy of playing drums. He masks Black Indian and plays drums forthe Spirit of FiYaYa and the Mandingo Warriors for several decades. 
URL:https://nomastaging.org/event/black-masking-indians-012424/
LOCATION:Louisiana 
CATEGORIES:Films,Creative Assembly
ATTACH;FMTTYPE=image/jpeg:https://nomastaging.org/wp-content/uploads/2023/12/black-indians-of-new-orleans_square.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240124T153000
DTEND;TZID=America/Chicago:20240124T170000
DTSTAMP:20260430T031633
CREATED:20231213T221429Z
LAST-MODIFIED:20231222T164312Z
UID:83359-1706110200-1706115600@nomastaging.org
SUMMARY:Poetry Workshops with Creative Assembly Cohort Member Daniel Fitzpatrick
DESCRIPTION:This three-week series of workshops hosted by Creative Assembly Cohort member Daniel Fitzpatrick aims to give poets of all ages and experience levels the space to write. In NOMA’s permanent collection galleries\, participants will explore a few techniques that can help to cultivate a habit of poetry and jumpstart new writing. Participants will also discuss ways that visual art can help to understand different approaches to poetry\, and how the space between images and words can open windows into the self.  \nParticipants are invited to attend all three sessions or to select one or two of special interest\, based on the themes below. Notebooks and pencils\, along with reading material tailored to each session\, will be provided. All poets will have the opportunity to receive feedback on their work in a supportive group setting or on an individual basis. \nAdvance registration is required. \nRegister Now \n\nSchedule\nWeek One January 10: Poetry as Listening\nDiscuss poetry as a way of listening—to nature\, to the divine\, to our own bodies\, memories\, and emotions—and think about how visual art can cultivate a poetic habit of listening. \nWeek Two January 17: Poetry as Lens\, Poetry as Mirror \nLearn different approaches to poems as fashioned objects. How can language become a window to a world beyond itself? How can language itself be the object of poetic experience? \nWeek Three January 24: Metaphor as Guide\nExplore ways that metaphors our minds suggest can help get to the emotional core of experience and guide the drafting and re-drafting process.
URL:https://nomastaging.org/event/poetry-workshops-012424/
LOCATION:Louisiana 
CATEGORIES:Workshops & Classes,Creative Assembly
ATTACH;FMTTYPE=image/jpeg:https://nomastaging.org/wp-content/uploads/2020/11/Cornelis-de-Heem.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240117T153000
DTEND;TZID=America/Chicago:20240117T170000
DTSTAMP:20260430T031633
CREATED:20231213T220811Z
LAST-MODIFIED:20231222T164126Z
UID:83356-1705505400-1705510800@nomastaging.org
SUMMARY:Poetry Workshops with Creative Assembly Cohort Member Daniel Fitzpatrick
DESCRIPTION:This three-week series of workshops hosted by Creative Assembly Cohort member Daniel Fitzpatrick aims to give poets of all ages and experience levels the space to write. In NOMA’s permanent collection galleries\, participants will explore a few techniques that can help to cultivate a habit of poetry and jumpstart new writing. Participants will also discuss ways that visual art can help to understand different approaches to poetry\, and how the space between images and words can open windows into the self.  \nParticipants are invited to attend all three sessions or to select one or two of special interest\, based on the themes below. Notebooks and pencils\, along with reading material tailored to each session\, will be provided. All poets will have the opportunity to receive feedback on their work in a supportive group setting or on an individual basis. \nAdvance registration is required. \nRegister Now \n\nSchedule\nWeek One January 10: Poetry as Listening\nDiscuss poetry as a way of listening—to nature\, to the divine\, to our own bodies\, memories\, and emotions—and think about how visual art can cultivate a poetic habit of listening. \nWeek Two January 17: Poetry as Lens\, Poetry as Mirror \nLearn different approaches to poems as fashioned objects. How can language become a window to a world beyond itself? How can language itself be the object of poetic experience? \nWeek Three January 24: Metaphor as Guide\nExplore ways that metaphors our minds suggest can help get to the emotional core of experience and guide the drafting and re-drafting process.
URL:https://nomastaging.org/event/poetry-workshops-011724/
LOCATION:Louisiana 
CATEGORIES:Workshops & Classes,Creative Assembly
ATTACH;FMTTYPE=image/jpeg:https://nomastaging.org/wp-content/uploads/2018/04/65-1-1024x737.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240110T153000
DTEND;TZID=America/Chicago:20240110T170000
DTSTAMP:20260430T031633
CREATED:20231213T220602Z
LAST-MODIFIED:20231222T163947Z
UID:83352-1704900600-1704906000@nomastaging.org
SUMMARY:Poetry Workshops with Creative Assembly Cohort Member Daniel Fitzpatrick
DESCRIPTION:This three-week series of workshops hosted by Creative Assembly Cohort member Daniel Fitzpatrick aims to give poets of all ages and experience levels the space to write. In NOMA’s permanent collection galleries\, participants will explore a few techniques that can help to cultivate a habit of poetry and jumpstart new writing. Participants will also discuss ways that visual art can help to understand different approaches to poetry\, and how the space between images and words can open windows into the self.  \nParticipants are invited to attend all three sessions or to select one or two of special interest\, based on the themes below. Notebooks and pencils\, along with reading material tailored to each session\, will be provided. All poets will have the opportunity to receive feedback on their work in a supportive group setting or on an individual basis. \nAdvance registration is required. \nRegister Now \n\nSchedule\nWeek One January 10: Poetry as Listening\nDiscuss poetry as a way of listening—to nature\, to the divine\, to our own bodies\, memories\, and emotions—and think about how visual art can cultivate a poetic habit of listening. \nWeek Two January 17: Poetry as Lens\, Poetry as Mirror \nLearn different approaches to poems as fashioned objects. How can language become a window to a world beyond itself? How can language itself be the object of poetic experience? \nWeek Three January 24: Metaphor as Guide\nExplore ways that metaphors our minds suggest can help get to the emotional core of experience and guide the drafting and re-drafting process.
URL:https://nomastaging.org/event/poetry-workshops-011024/
LOCATION:Louisiana 
CATEGORIES:Workshops & Classes,Creative Assembly
ATTACH;FMTTYPE=image/jpeg:https://nomastaging.org/wp-content/uploads/2019/06/Kandinsky.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20231202T140000
DTEND;TZID=America/Chicago:20231202T140000
DTSTAMP:20260430T031633
CREATED:20231106T212055Z
LAST-MODIFIED:20231110T204813Z
UID:83097-1701525600-1701525600@nomastaging.org
SUMMARY:Field Drawing Workshop in MidCity With Alyssa Lizzini feat. Daniel Fitzpatrick
DESCRIPTION:Field Drawings is a series of free on-location drawing workshops taking place in multiple cities and neighborhoods throughout the United States led by Cleveland-based visual artist Alyssa Lizzini. The purpose of the workshops is to encourage the slow and attentive process of observational drawing as a means of neighborhood rediscovery and creative placemaking. Workshop participants will take part in an hour-and-a-half urban sketching excursion and be supplied with sketchbooks and drawing tools. There will be two workshops taking place in New Orleans with the help of the NOMA Creative Assembly resident artists Daniel Fitzpatrick and Paige DeVries. Participants should wear good walking shoes for light neighborhood exploration and bring a bottle of water. \nParticipants will meet for this workshop at Second Line Brewing\, 433 N Bernadotte St\, New Orleans\, LA 70119.  \nMaterials will be provided. Free with advanced registration. \nRegister Now \n\nAbout the Artist\n\nAlyssa Lizzini is an artist from Cleveland\, Ohio\, whose work explores concepts of social geography and community engagement through on-location drawing. Lizzini’s layered images are heavily inspired by her own archival\, ethnographic\, and visual research of city spaces—and her lived experience growing up in the city of Cleveland. In the studio\, she utilizes drawing\, painting\, and printmaking techniques to create visually complex images that mirror the complexity of our social and spatial world. Lizzini graduated with a Bachelor of Fine Arts from the Cleveland Institute of Art in 2022.
URL:https://nomastaging.org/event/field-drawings-middcity/
LOCATION:Second Line Brewing\, 433 N Bernadotte St\, New Orleans\, LA\, 70119\, United States
CATEGORIES:Special,Creative Assembly
ATTACH;FMTTYPE=image/png:https://nomastaging.org/wp-content/uploads/2023/11/Untitled-design-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20231201T163000
DTEND;TZID=America/Chicago:20231201T163000
DTSTAMP:20260430T031633
CREATED:20231107T163715Z
LAST-MODIFIED:20231110T204712Z
UID:83123-1701448200-1701448200@nomastaging.org
SUMMARY:Field Drawing Workshop at Algiers Point With Alyssa Lizzini feat. Paige DeVries
DESCRIPTION:Field Drawings is a series of free on-location drawing workshops taking place in multiple cities and neighborhoods throughout the United States led by Cleveland-based visual artist Alyssa Lizzini. The purpose of the workshops is to encourage the slow and attentive process of observational drawing as a means of neighborhood rediscovery and creative placemaking. Workshop participants will take part in an hour-and-a-half urban sketching excursion and be supplied with sketchbooks and drawing tools. There will be two workshops taking place in New Orleans with the help of the NOMA Creative Assembly resident artists Daniel Fitzpatrick and Paige DeVries. Participants should wear good walking shoes for light neighborhood exploration and bring a bottle of water. \nParticipants will meet for this workshop at Barracuda Taco Stand\, 446 Pelican Ave\, New Orleans\, LA 70114. \nMaterials will be provided. Free with advanced registration. \nRegister Now \n\nAbout the Artist\n\nAlyssa Lizzini is an artist from Cleveland\, Ohio\, whose work explores concepts of social geography and community engagement through on-location drawing. Lizzini’s layered images are heavily inspired by her own archival\, ethnographic\, and visual research of city spaces—and her lived experience growing up in the city of Cleveland. In the studio\, she utilizes drawing\, painting\, and printmaking techniques to create visually complex images that mirror the complexity of our social and spatial world. Lizzini graduated with a Bachelor of Fine Arts from the Cleveland Institute of Art in 2022.
URL:https://nomastaging.org/event/field-drawings-algiers-point/
LOCATION:Barracuda Taco Stand\, 446 Pelican Ave\, New Orleans\, LA\, 70114\, United States
CATEGORIES:Special,Creative Assembly
ATTACH;FMTTYPE=image/png:https://nomastaging.org/wp-content/uploads/2023/11/Untitled-design-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230107T130000
DTEND;TZID=America/Chicago:20230107T150000
DTSTAMP:20260430T031633
CREATED:20221229T190002Z
LAST-MODIFIED:20221230T201222Z
UID:78535-1673096400-1673103600@nomastaging.org
SUMMARY:Free Screening: People Museum
DESCRIPTION:Want to revisit People Museum’s Louise Bourgeois–inspired performance in the Besthoff Sculpture Garden? Join for a free screening of the full performance on Saturday\, January 7\, 1 pm\, in NOMA’s Lapis Center for the Arts. \nDuring the one-night-only presentation last December\, New Orleans–based pop art band People Museum performed their latest EP Destruction of\, Vol. 1 underneath Bourgeois’s Spider—one of the signature works in the sculpture garden. Written by Claire Givens and produced by Jeremy Phipps\, Destruction of\, Vol. 1 features a collection of songs inspired by Bourgeois’s life and work\, and the performance was timed with the exhibition Louise Bourgeois: Paintings\, which was on view at NOMA from September 9 to December 31\, 2022. \nThis screening is free with advanced registration. \nRSVP Now \n\nAbout the Project\nNOMA Community Engagement Curator Nic Brierre Aziz interviews People Museum’s Claire Givens and Jeremy Phipps about the genesis of this project. \n \n\nAbout Creative Assembly\nCreative Assembly is a community engagement initiative by the New Orleans Museum of Art that uses neighborhood-based participatory art experiences as a vehicle for personal exploration\, community collaboration\, and social change. \nLearn more \nNOMA’s Creative Assembly community engagement initiative is supported by the Wagner Foundation.
URL:https://nomastaging.org/event/people-museum-screening/
LOCATION:NOMA’s Lapis Center for the Arts
CATEGORIES:Films,Creative Assembly
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221224
DTEND;VALUE=DATE:20230109
DTSTAMP:20260430T031633
CREATED:20221220T215516Z
LAST-MODIFIED:20221223T191008Z
UID:78473-1671840000-1673222399@nomastaging.org
SUMMARY:Adam Davis’s Black Magic
DESCRIPTION:In conjunction with Called to the Camera: Black American Studio Photographers\, Los Angeles–based photographer Adam Davis is bringing his ongoing Black Magic project to NOMA. \nDuring his two-week Creative Assembly Connector Residency\, Davis will set up a studio on the museum’s second floor\, where he will produce photographic tintypes as part of his goal to create an archive of 20\,000 portraits of Black Americans. Davis has traveled with Black Magic across the country to cities including Tulsa\, Chicago\, and Detroit. Learn more about in the project in an article from the Los Angeles Times. \nOn select days during this residency\, visitors will have the opportunity to pose for and receive a free tintype portrait from Davis. \nDue to overwhelming demand\, all spots are currently filled. Please join the waitlist below to be notified as times open up.
URL:https://nomastaging.org/event/adam-davis-black-magic/
LOCATION:Louisiana 
CATEGORIES:Special,Creative Assembly
ATTACH;FMTTYPE=image/jpeg:https://nomastaging.org/wp-content/uploads/2022/12/SCAN1163.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221204T190000
DTEND;TZID=America/Chicago:20221204T190000
DTSTAMP:20260430T031633
CREATED:20220927T155643Z
LAST-MODIFIED:20221203T195749Z
UID:77785-1670180400-1670180400@nomastaging.org
SUMMARY:Performance and Record Release: People Museum
DESCRIPTION:New Orleans–based pop art band People Museum presents a special one-night-only performance in the Besthoff Sculpture Garden responding to the work of artist Louise Bourgeois. \nPeople Museum’s latest EP Destruction of\, Vol. 1 (out October 21 from Strange Daisy Records and Community Records) features a collection of songs inspired by Bourgeois’s life and work. Written by Claire Givens and produced by Jeremy Phipps\, the record was supported in part by NOMA’s Creative Assembly Cohort\, which invites artists from different mediums to use the museum’s collection\, exhibition\, and programs as catalysts to create new research and artwork. \nOn Sunday\, December 4\, People Museum perform underneath Bourgeois’s Spider—one of the signature works in NOMA’s Besthoff Sculpture Garden—and celebrate the release of a limited-edition vinyl pressing of Destruction of\, Vol. 1. \nTickets are $15 | $10 for NOMA members \nSOLD OUT \nTickets to this program are currently sold out. A limited number of tickets will be available at the door on a first-come\, first-served basis. Entry is not guaranteed. \n\nAbout the Project\nNOMA Community Engagement Curator Nic Brierre Aziz interviews People Museum’s Claire Givens and Jeremy Phipps and  about the genesis of this project. \n \n\nAlbum Credits\nWritten by Claire Givens\nProduced by Jeremy Phipps\nPerformed by Claire Givens and Jeremy Phipps\nMixed and Mastered by Steve Gilliland\nArtwork by Claire Givens and Nicholas Ashe Bateman \nVinyl available for pre-order from Community Records \n  \n\n \nAbout People Museum\nPeople Museum is a pop art\, electronic band formed by Jeremy Phipps and Claire Givens in the Treme neighborhood of New Orleans\, Louisiana\, in 2016. Inspired by afro-beat\, hip-hop\, choral\, and marching band music\, People Museum has formed a sound that could only come from the eclectic corners of Louisiana. Created with the intention of bringing nature to the future\, they combine the historic sounds of the city’s past with the synthesizer heavy\, progressive underground of New Orleans —always mixing menacing textures with cathartic hopefulness. People Museum performs live as a four-piece with the addition of drummer\, Aaron Boudreaux\, as well as with bassist Charles Lumar ll. \n\nAbout Creative Assembly\nCreative Assembly is a community engagement initiative by the New Orleans Museum of Art that uses neighborhood-based participatory art experiences as a vehicle for personal exploration\, community collaboration\, and social change. \nLearn more \nNOMA’s Creative Assembly community engagement initiative is supported by the Wagner Foundation.
URL:https://nomastaging.org/event/people-museum/
LOCATION:Sydney and Walda Besthoff Sculpture Garden\, 1 Collins Diboll Circle\, New Orleans \, LA\, 70124
CATEGORIES:Performances,Creative Assembly
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220909T200000
DTEND;TZID=America/Chicago:20220909T200000
DTSTAMP:20260430T031633
CREATED:20220818T164226Z
LAST-MODIFIED:20220818T164226Z
UID:77599-1662753600-1662753600@nomastaging.org
SUMMARY:Steve Lands: Rearranging the Planets
DESCRIPTION:Creative Assembly Cohort member Steve Lands presents Rearranging the Planets\, a musical performance reinterpreting composer Gustav Holst’s influential orchestral suite The Planets. \nWith his original composition\, which premiered at NOMA in February\, Lands uses Holst’s work as a jumping off point to explore the varied relationships civilizations have had to the heavens over time. While Holst structured his suite—which premiered at the Queen’s Hall in London in 1918—around the Solar System and its Greco-Roman mythological namesakes\, Rearranging the Planets casts a broader net to consider how societies around the world have looked to the stars. In the words of planetary scientist Carl Sagan\, “We are made of star-stuff. We are a way for the cosmos to know itself.” \nFeaturing Shea Pierre; Alfred Jordan\, Jr.; Xavier Molina; Max Moran; John Maestas; Amari Ansari; Rex Gregory; and Amber Matthews. With additional credits to Francis Wong\, Camille Lenain\, Meghan Stewart\, and Amina Scott. \nPerformances take place in NOMA’s Lapis Center for the Arts on Friday\, September 9\, and Saturday\, September 10\, at 8 pm. \nTickets are $30 | $25 for members \nBuy Tickets \n  \n\n\nPerformance Credits and Performer Bios\n\n\n\n\nSteve Lands\nHailing from the city of Baton Rouge\, Louisiana\, Steve Lands has been swaying stages\, clubs\, bars\, museums\, houses-of-worship\, and studios the world over for more than a decade now. He’s got the kind of skill that can only be gained from working with great artists from all walks of life. His experience ranges from shows with R&B/gospel Grammy winner PJ Morton; doing festivals with the Preservation Hall Jazz Band; and tours through Europe with Swiss pianist and composer Florian Favre to studio sessions with the Black Keys; jamming in DC with Dave Grohl of the Foo Fighters; playing in big bands with Ellis\, Jason\, Branford\, and Delfeayo Marsalis; and doing a tribute to David Bowie with Arcade Fire. Courage and care are his motivations for music and he’s got more than enough of both to give you a sonic fantasy.\n\n\n\n\nShea Pierre\nA native of New Orleans\, Louisiana\, Shea Pierre started his musical journey at the age of 4. He joined his family’s gospel group\, the Williams Sisters\, and began playing for various churches in the New Orleans area. He later attended the prestigious New Orleans Center of Creative Arts\, where he studied with Michael Pellera\, Chris Severin\, Ellis Marsalis\, and Jason Marsalis. While in high school\, he toured parts of South Africa with the Batiste Brothers Band from New Orleans. Shea is a 2014 graduate of Oberlin Conservatory of Music\, where he studied jazz piano with Dan Wall. He continues to travel and engage in different projects throughout the Midwest.\n\n\n\n\nAlfred Jordan Jr.\nBorn in New Orleans in 1993\, Alfred Jordan Jr.’s parents noticed the gift that was on their son. Growing up in church\, gospel music played a huge part in molding him as a drummer. Alfred’s skill sprouted\, awarding him a full scholarship to attend Berklee College of Music graduating with a B.A. Alfred’s love for music turned into his profession\, landing his gig as the current drummer for Big Sam’s Funky Nation and has also been fortunate to work with Donald Harrison\, Christian Scott\, Nicholas Payton\, Kent Jordan as well as his collective projects NwaSoul Project and Bignatiouss. Alfred is forever grateful knowing this is “for the love of music.”\n\n\n\n\nXavier Molina\nWe have watched Xavier Molina grow as an artist since 2006 when he first picked up the trumpet. Xavier has blossomed into a singer/songwriter\, drummer and trumpeter with a heart dedicated to making great music. Xavier has played with several independent bands in the New Orleans\, Atlanta and Alabama areas\, and never ceases to amaze the audiences anywhere.\n\n\n\n\nMax Moran\nMax Moran is a Louisiana born musician and composer who has become a first-call bassist across several genres in New Orleans’ thriving music scene. Known for his versatility on electric bass\, upright bass\, and synthesizer\, Moran provides a solid\, soulful foundation to a number of classic and progressive bands. Performing since the age of thirteen\, Max Moran spent over ten years as the bassist of jazz master Donald Harrison and has also shared the stage with artists such as Davell Crawford\, Leo Nocentelli (The Meters)\, Bernie Worrell (Parliament/ Funkadelic)\, and Grammy nominees Christian Scott and Jamison Ross.\n\n\n\n\nJohn Maestas\nGuitarist John Maestas was born in Albuquerque\, New Mexico and is now based in New Orleans. He started his career first as a sideman to many inspiring contemporary young artists performing original music\, while also accompanying and learning from New Orleans legacy artists who keep the traditions of their city’s music alive and thriving. He has become known as a versatile music producer working in studios writing\, recording & performing songs for world-class artists including Christian Scott\, Nicholas Payton\, Jamison Ross\, Wendell Brunious\, MonoNeon\, John “Papa” Gros\, Elzhi\, Nesby Phips\, Fiend and many others. In 2016 he co founded the independent record label Bubble Bath Records with 3 other friends that helps to educate\, elevate & empower over twenty young artists who need support in navigating the music industry. “The Dream Catcher”\, the debut album from Maestas’ alt-rock band Juan Tigre\, is music inspired by the iconic high desert imagery of New Mexico and imbued with the expansive folklore of the Southwest.\n\n\n\n\nAmari Ansari\nAmari Ansari brings a fresh voice to the saxophone. The son of a gospel pianist\, the Alabama native credits his earliest interest in music to southern gospel and the late Alabama jazz educator Dr. Frank Adams Sr. Upon moving to New Orleans in 2009\, he was the recipient of the University of New Orleans’ Ellis Marsalis Jazz Scholarship where he would go on to graduate with a Master’s Degree in Music. This introduction to the Marsalis family led him to meet NEA Jazz Master Delfeayo Marsalis\, eventually becoming a long time member of the Marsalis led band the Uptown Jazz Orchestra. With his feature on Marsalis’ 2019 release\, Jazz Party \, Downbeat Magazine called Amari’s style\, “Hank Crawford meets Maceo Parker.”\n\n\n\n\nFrancis Wong\nFrancis Wong grew up in the New Orleans area and escaped into art from a young age. He attended the New Orleans Center for Creative Arts and attended the University of New Orleans studying fine art and film. Hurricane Katrina interrupted his college education but educated him on so much more in life. His work is influenced by the magical realness of life in New Orleans and Southeastern Louisiana. Through mixed media paintings\, music and video\,he uses art to help heal ancestral trauma and PTSD. His work is a unique hybrid of his Chinese heritage and his Southern and American upbringing.  Francis has Exhibited all over Louisiana\, NYC\, and Oakland\, California.\n\n\n\n\nCamille Lenain\nCamille Farrah Lenain is a French-Algerian documentary and portrait photographer who grew up in Paris\, studied Photography at l’ESA in Brussels and at ICP in New York City (virtual). She relocated to New Orleans in 2013\, where she teaches photography at Tulane University and works on long-term projects with a focus on empathetic portraiture\, exploring the notions of representation\, collective memory and plural identities. Her clients include : Rolling Stone\, The New York Times\, The Washington Post Magazine\, T Magazine\, The Bitter Southerner and Libération. Her photographs have been exhibited internationally\, including at the Ogden Museum of Southern Art\, Festival In Cadaques\, Les Boutographies\, PhotoVogue Festival. She was previously an Artist in Residence at the Joan Mitchell Center and Nunu’s Arts Collective.\n\n\n\n\nMeghan Stewart\nMeghan Stewart is a musician\, designer\, and instructor currently residing in New Orleans\, LA. She designs exclusively for musicians\, understanding the connection between visuals and sounds. She’s designed for musicians such as Steve Lands\, multi instrumentalist Mahmoud Chouki\, singer and Berklee resident Cindy Scott\, and others.\n\n\n\n\nAmina Scott\nAmina Scott\, born and raised in Oakland\, CA\, is an upright and electric bassist\, composer\, and arranger. Her interest in music began at an early age when her grandmother began giving her piano lessons. From then\, her love and passion for music has yet to cease\, playing electric bass at the age of twelve and was soon playing gigs with local bands in Oakland. In 2017\, Amina joined the New Orleans Jazz Orchestra led by Adonis Rose. Now based in New Orleans\, Amina leads her own band and she has performed with various artists including Dee Dee Bridgewater\, Steve Turre\, Wessell “Warm Daddy” Anderson\, Nicholas Payton\, David Murray\, Jamison Ross\, Joanne Brackeen\, Herlin Riley\, Christian Scott Atunde Adjuah\, and more.\n\n\n\n\n\nAbout Creative Assembly\nCreative Assembly is a community engagement initiative by the New Orleans Museum of Art that uses neighborhood-based participatory art experiences as a vehicle for personal exploration\, community collaboration\, and social change. \nLearn more \nNOMA’s Creative Assembly community engagement initiative is supported by the Wagner Foundation.
URL:https://nomastaging.org/event/steve-lands-rearranging-the-planets/2022-09-09/
LOCATION:New Orleans Museum of Art\, 1 Collins Diboll Circle\, New Orleans\, LA\, 70119
CATEGORIES:Performances,Creative Assembly
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DTEND;TZID=America/Chicago:20220608T190000
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SUMMARY:Food as Medicine: New Orleans Cuisine with Healthy Alternatives
DESCRIPTION:As one of the culinary capitals of the world\, New Orleans’s cuisine is one of the city’s most notable attributes. While many of these dishes are world renowned\, their nutrition and healthiness is sometimes compromised during their creation. Lower 9th Ward native Courtney Clark has dedicated much of her multidisciplinary creative practice to community food justice organizing in an attempt to combat many of the diet-related diseases that exist within many of New Orleans’s communities. \nClark is a member of NOMA’s Creative Assembly Cohort and will lead a food demonstration in the amphitheater of NOMA’s Besthoff Sculpture Garden on June 8 from 5 to 7 pm. During this workshop\, attendees will learn how to make healthy alternatives to well-known New Orleans dishes and also experience a performance from Big Chief Romeo Bougere of the 9th Ward Hunters. \nThis event is free and open to the public. The first 50 registrants will be guaranteed a tasting of the food made by Clark during the demonstration. \nRegister Now \nPlease note that this is an outdoor event with seating on the grass in the amphitheater. We welcome bringing your own folding chair or blanket to sit on. \nAbout Courtney Clark\nCourtney Clark is a native of the Lower 9th Ward of New Orleans and has worked as an artist\, school teacher\, community food justice organizer\, and mental health advocate\, throughout her eclectic career. Between 2015 and 2020\, Clark served as Programming Coordinator for Backyard Gardeners Network (BGN)\, spearheading its Food As Medicine program—a 10-week health and nutrition workshop series for adults which focused on food as a primary source of healing. In 2016\, Clark was selected to serve as a U.S. delegate by Slow Food USA for the Terra Madre del Gusto Food conference in Turin\, Italy. NOLA.com recognized her as an Everyday Hero in 2017 and JJill and Food Network as an Inspired Woman for her work in 2020. Clark was chosen by The Greater New Orleans Foundation as an Emerging Leader in 2017. \nLearn more \nAbout Creative Assembly\nCreative Assembly is a community engagement initiative by the New Orleans Museum of Art that uses neighborhood-based participatory art experiences as a vehicle for personal exploration\, community collaboration\, and social change. \nLearn more \nNOMA’s Creative Assembly community engagement initiative is supported by the Wagner Foundation.
URL:https://nomastaging.org/event/food-as-medicine-new-orleans-cuisine-with-healthy-alternatives/
LOCATION:Sydney and Walda Besthoff Sculpture Garden\, 1 Collins Diboll Circle\, New Orleans \, LA\, 70124
CATEGORIES:Workshops & Classes,Creative Assembly
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DTSTART;TZID=America/Chicago:20220605T170000
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DTSTAMP:20260430T031633
CREATED:20220519T171754Z
LAST-MODIFIED:20220526T184857Z
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SUMMARY:Pass It On Open Mic & Showcase: Queens Carved in Time
DESCRIPTION:In conjunction with Queen Nefertari’s Egypt\, Pass It On hosts its monthly open mic and showcase at NOMA in the courtyard featuring artist John T. Scott’s Spirit Gates. \nIn collaboration with the All About Love Education Studio and the Queens of the Washitaw Nation\, this program is the culmination of a Creative Assembly Connector Residency led by Brit Lindsey and Pass It On that featured weekly workshops for youth led by a range of New Orleans artists including poets\, fashion designers\, visual artists\, and Black Masking Indian Queens. These workshops included artist-led design prompts which utilized the medium of sewing as a community responsibility and cathartic artistic ritual. \nJoin us in shining light on and basking in the light of these young artists\, alongside live performances from other artists. We celebrate the connection between sewing and connection to culture with Big Queen Ausettua along with the visual design brilliance of Lana Meyon and students from Lawerence D. Crocker. We also have a very special lineup featuring Sha’Condria “iCon” Sibley\, Chasity Hunter\, Naomi Daugherty\, Akilah Toney\, and Preach; and music from Charm Taylor\, Bobbi Rae\, and The Vibe. The program will also feature a special activation of Spirit Gates by percussionist Nita Bailey. \nFree and open to the public. When you arrive\, please check in at the event entrance located in the outdoor courtyard on the left hand side of the building. \nRegister Now \n\n\n\n\n\nAbout Brit Lindsey\nBrit Lindsey is an educator\, equitable education advocate\, social worker\, creative entrepreneur\, and art director. Hurricane Katrina and a full scholarship to play basketball at Tulane University drew her to New Orleans from Atlanta\, Georgia in 2006\, and she’s held permanent residence ever since. \nShe is the owner of Master Minds Private Tutoring\, a New Orleans-based tutoring service that caters to Children of HUE and members of the LGBTQIA+ Community. She recently founded the HUEMan Development Project. This work and the inspiration for the creation of this nonprofit is rooted in community responsibility\, self-actualization\, and entrepreneurial equity in New Orleans. Brit is particularly interested in assisting children of HUE along their journey of identity exploration\, through intergenerational mentorship and community service.\n\n\n\n\nAbout Pass It On\nPass It On is an art and performance series dedicated to the advancement and preservation of New Orleans’s multicultural artisan community\, through the integration of visual art\, music\, and spoken word. \nCreated in 2008\, the series sought to reestablish New Orleans’s cultural footprint post-Katrina. Pass It On\, a name derived from John T. Scott’s philosophy\, that if ever he was to do a good deed or kindness for someone\, that instead of being thanked\, he would ask that person to “pass it on.” Here\, “it” represents the idea of caring for each other\, the energy of service to one another\, and the responsibility of love when paying kindness forward. \nPass It On now enjoys an expansive network of celebrated poets\, visual artists\, musicians\, educators\, activists\, youth\, and cultural institutions—all who pass on the tradition of community narration through spoken word\, indigenous jazz and progressive music culture and visual arts.\n\n\n\n\nAbout Creative Assembly\nCreative Assembly is a community engagement initiative by the New Orleans Museum of Art that uses neighborhood-based participatory art experiences as a vehicle for personal exploration\, community collaboration\, and social change. \nLearn more \nNOMA’s Creative Assembly community engagement initiative is supported by the Wagner Foundation.
URL:https://nomastaging.org/event/pass-it-on/
LOCATION:Louisiana 
CATEGORIES:Creative Assembly
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DTSTART;TZID=America/Chicago:20220601T120000
DTEND;TZID=America/Chicago:20220601T123000
DTSTAMP:20260430T031633
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SUMMARY:Gallery Talk with Joseph Darensbourg
DESCRIPTION:Join us in the galleries each Wednesday for weekly talks with artists\, curators\, and other special guests. During these casual conversations\, we’ll take a close look at different works currently on view at NOMA. \nThis week\, Creative Assembly Cohort member Joseph Darensbourg gives a talk titled “Loot\, Lute\, L’Oud: How the World Went Crazy over Egypt” and shares a special musical performance. \nFree with museum admission. Louisiana residents receive free admission to NOMA on Wednesdays courtesy of The Helis Foundation. When you arrive at NOMA\, check in at the front desk for directions to the appropriate gallery. \nGet Tickets \nTo book your ticket in advance\, click the link above and select the day for the gallery talk you’d like to attend. \n\n  \n                                                \nEducation and outreach initiatives at NOMA are supported in part by the Zemurray Foundation; the Lois and Lloyd Hawkins Jr. Foundation; The Helis Foundation; The Gayle and Tom Benson Foundation; The City of New Orleans; IBERIABANK; The Wagner Foundation; Janice Parmelee and Bill Hammack; the Diversifying Art Museum Leadership Initiative\, funded by the Walton Family Foundation and the Ford Foundation; Sara and David Kelso; Patrick F. Taylor Foundation;  Dr. Scott S. Cowen; The RosaMary Foundation; The Azby Fund; the Louisiana Division of the Arts\, Office of Cultural Development\, Department of Culture\, Recreation & Tourism\, in cooperation with the Louisiana State Arts Council and the National Endowment for the Arts\, a Federal agency; The Collins C. Diboll Private Foundation; Burkenroad Foundation; Marian Dreux Van Horn Education Endowment; The Andrew W. Mellon Foundation;  Ruby K. Worner Trust through the PNC Charitable Trusts Grant Review Committee; The Harry T. Howard III Foundation; New Orleans Jazz & Heritage Festival and Foundation\, Inc.; Harvey and Marie Orth; The Bruce J. Heim Foundation; and Mrs. Bennett A. Molter\, Jr. This project is supported in part by the National Endowment for the Arts. 
URL:https://nomastaging.org/event/gallery-talk-june-1-2022/
LOCATION:Louisiana 
CATEGORIES:Creative Assembly,Gallery Talks
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DTEND;TZID=America/Chicago:20220420T203000
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SUMMARY:Virtual Premiere: Rearranging the Planets
DESCRIPTION:During two sold-out nights this February\, Creative Assembly Cohort member Steve Lands debuted Rearranging the Planets. Experience the magic of this momentous presentation during a virtual premiere of the program on Wednesday\, April 20\, at 7 pm. \nWith his original composition\, Lands uses Gustav Holst’s influential orchestral suite The Planets as a jumping off point to explore the varied relationships civilizations have had to the heavens over time. While Holst structured his suite—which premiered at the Queen’s Hall in London in 1918—around the Solar System and its Greco-Roman mythological namesakes\, Rearranging the Planets casts a broader net to consider how societies around the world have looked to the stars. In the words of planetary scientist Carl Sagan\, “We are made of star-stuff. We are a way for the cosmos to know itself.” \nFeaturing Shea Pierre; Alfred Jordan\, Jr.; Xavier Molina; Max Moran; John Maestas; Gladney; Amari Ansari; and Cubs the Poet. With additional credits to Francis Wong\, Camille Lenain\, Meghan Stewart\, and Amina Scott. \nSet a Reminder to Watch on YouTube \n\n\nPerformance Credits and Performer Bios\n\n\n\n\nSteve Lands\nHailing from the city of Baton Rouge\, Louisiana\, Steve Lands has been swaying stages\, clubs\, bars\, museums\, houses-of-worship\, and studios the world over for more than a decade now. He’s got the kind of skill that can only be gained from working with great artists from all walks of life. His experience ranges from shows with R&B/gospel Grammy winner PJ Morton; doing festivals with the Preservation Hall Jazz Band; and tours through Europe with Swiss pianist and composer Florian Favre to studio sessions with the Black Keys; jamming in DC with Dave Grohl of the Foo Fighters; playing in big bands with Ellis\, Jason\, Branford\, and Delfeayo Marsalis; and doing a tribute to David Bowie with Arcade Fire. Courage and care are his motivations for music and he’s got more than enough of both to give you a sonic fantasy.\n\n\n\n\nShea Pierre\nA native of New Orleans\, Louisiana\, Shea Pierre started his musical journey at the age of 4. He joined his family’s gospel group\, the Williams Sisters\, and began playing for various churches in the New Orleans area. He later attended the prestigious New Orleans Center of Creative Arts\, where he studied with Michael Pellera\, Chris Severin\, Ellis Marsalis\, and Jason Marsalis. While in high school\, he toured parts of South Africa with the Batiste Brothers Band from New Orleans. Shea is a 2014 graduate of Oberlin Conservatory of Music\, where he studied jazz piano with Dan Wall. He continues to travel and engage in different projects throughout the Midwest.\n\n\n\n\nAlfred Jordan Jr.\nBorn in New Orleans in 1993\, Alfred Jordan Jr.’s parents noticed the gift that was on their son. Growing up in church\, gospel music played a huge part in molding him as a drummer. Alfred’s skill sprouted\, awarding him a full scholarship to attend Berklee College of Music graduating with a B.A. Alfred’s love for music turned into his profession\, landing his gig as the current drummer for Big Sam’s Funky Nation and has also been fortunate to work with Donald Harrison\, Christian Scott\, Nicholas Payton\, Kent Jordan as well as his collective projects NwaSoul Project and Bignatiouss. Alfred is forever grateful knowing this is “for the love of music.”\n\n\n\n\nXavier Molina\nWe have watched Xavier Molina grow as an artist since 2006 when he first picked up the trumpet. Xavier has blossomed into a singer/songwriter\, drummer and trumpeter with a heart dedicated to making great music. Xavier has played with several independent bands in the New Orleans\, Atlanta and Alabama areas\, and never ceases to amaze the audiences anywhere.\n\n\n\n\nMax Moran\nMax Moran is a Louisiana born musician and composer who has become a first-call bassist across several genres in New Orleans’ thriving music scene. Known for his versatility on electric bass\, upright bass\, and synthesizer\, Moran provides a solid\, soulful foundation to a number of classic and progressive bands. Performing since the age of thirteen\, Max Moran spent over ten years as the bassist of jazz master Donald Harrison and has also shared the stage with artists such as Davell Crawford\, Leo Nocentelli (The Meters)\, Bernie Worrell (Parliament/ Funkadelic)\, and Grammy nominees Christian Scott and Jamison Ross.\n\n\n\n\nJohn Maestas\nGuitarist John Maestas was born in Albuquerque\, New Mexico and is now based in New Orleans. He started his career first as a sideman to many inspiring contemporary young artists performing original music\, while also accompanying and learning from New Orleans legacy artists who keep the traditions of their city’s music alive and thriving. He has become known as a versatile music producer working in studios writing\, recording & performing songs for world-class artists including Christian Scott\, Nicholas Payton\, Jamison Ross\, Wendell Brunious\, MonoNeon\, John “Papa” Gros\, Elzhi\, Nesby Phips\, Fiend and many others. In 2016 he co founded the independent record label Bubble Bath Records with 3 other friends that helps to educate\, elevate & empower over twenty young artists who need support in navigating the music industry. “The Dream Catcher”\, the debut album from Maestas’ alt-rock band Juan Tigre\, is music inspired by the iconic high desert imagery of New Mexico and imbued with the expansive folklore of the Southwest.\n\n\n\n\nGladney\nGrammy-nominated multi-instrumentalist and composer Gladney is a leading contemporary exponent of the saxophone. A 6th generation native of New Orleans’s Lower 9th Ward\, Gladney has performed and traveled professionally since the age of 12. Along with his work with The Rumble and the Jake Shears Band (Scissor Sisters)\, Gladney leads his own self-titled band and is preparing to release his debut EP and album this year.\n\n\n\n\nAmari Ansari\nAmari Ansari brings a fresh voice to the saxophone. The son of a gospel pianist\, the Alabama native credits his earliest interest in music to southern gospel and the late Alabama jazz educator Dr. Frank Adams Sr. Upon moving to New Orleans in 2009\, he was the recipient of the University of New Orleans’ Ellis Marsalis Jazz Scholarship where he would go on to graduate with a Master’s Degree in Music. This introduction to the Marsalis family led him to meet NEA Jazz Master Delfeayo Marsalis\, eventually becoming a long time member of the Marsalis led band the Uptown Jazz Orchestra. With his feature on Marsalis’ 2019 release\, Jazz Party \, Downbeat Magazine called Amari’s style\, “Hank Crawford meets Maceo Parker.”\n\n\n\n\nCubs the Poet\nCubs the Poet has been writing poems since 1989. Later in life\, he studied psychology in school and began thinking for himself. It wasn’t long before he decided to study life outside of the classroom. He began typing poems on a typewriter\, in the middle of the French Quarter on Royal Street\, in New Orleans\, Louisiana. He is now an artist-in-residence at the Columns Hotel and his Poetraits blend portraiture and poetry.\n\n\n\n\nFrancis Wong\nFrancis Wong grew up in the New Orleans area and escaped into art from a young age. He attended the New Orleans Center for Creative Arts and attended the University of New Orleans studying fine art and film. Hurricane Katrina interrupted his college education but educated him on so much more in life. His work is influenced by the magical realness of life in New Orleans and Southeastern Louisiana. Through mixed media paintings\, music and video\,he uses art to help heal ancestral trauma and PTSD. His work is a unique hybrid of his Chinese heritage and his Southern and American upbringing.  Francis has Exhibited all over Louisiana\, NYC\, and Oakland\, California.\n\n\n\n\nCamille Lenain\nCamille Farrah Lenain is a French-Algerian documentary and portrait photographer who grew up in Paris\, studied Photography at l’ESA in Brussels and at ICP in New York City (virtual). She relocated to New Orleans in 2013\, where she teaches photography at Tulane University and works on long-term projects with a focus on empathetic portraiture\, exploring the notions of representation\, collective memory and plural identities. Her clients include : Rolling Stone\, The New York Times\, The Washington Post Magazine\, T Magazine\, The Bitter Southerner and Libération. Her photographs have been exhibited internationally\, including at the Ogden Museum of Southern Art\, Festival In Cadaques\, Les Boutographies\, PhotoVogue Festival. She was previously an Artist in Residence at the Joan Mitchell Center and Nunu’s Arts Collective.\n\n\n\n\nMeghan Stewart\nMeghan Stewart is a musician\, designer\, and instructor currently residing in New Orleans\, LA. She designs exclusively for musicians\, understanding the connection between visuals and sounds. She’s designed for musicians such as Steve Lands\, multi instrumentalist Mahmoud Chouki\, singer and Berklee resident Cindy Scott\, and others.\n\n\n\n\nAmina Scott\nAmina Scott\, born and raised in Oakland\, CA\, is an upright and electric bassist\, composer\, and arranger. Her interest in music began at an early age when her grandmother began giving her piano lessons. From then\, her love and passion for music has yet to cease\, playing electric bass at the age of twelve and was soon playing gigs with local bands in Oakland. In 2017\, Amina joined the New Orleans Jazz Orchestra led by Adonis Rose. Now based in New Orleans\, Amina leads her own band and she has performed with various artists including Dee Dee Bridgewater\, Steve Turre\, Wessell “Warm Daddy” Anderson\, Nicholas Payton\, David Murray\, Jamison Ross\, Joanne Brackeen\, Herlin Riley\, Christian Scott Atunde Adjuah\, and more.\n\n\n\n\n\nAbout Creative Assembly\nCreative Assembly is a community engagement initiative by the New Orleans Museum of Art that uses neighborhood-based participatory art experiences as a vehicle for personal exploration\, community collaboration\, and social change. \nLearn more \nNOMA’s Creative Assembly community engagement initiative is supported by the Wagner Foundation.
URL:https://nomastaging.org/event/virtual-premiere-rearranging-the-planets/
LOCATION:Louisiana 
CATEGORIES:Performances,Creative Assembly
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BEGIN:VEVENT
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SUMMARY:Steve Lands: Rearranging the Planets
DESCRIPTION:Creative Assembly Cohort member Steve Lands presents Rearranging the Planets\, a new musical performance reinterpreting composer Gustav Holst’s influential orchestral suite The Planets. \nWith his original composition\, Lands uses Holst’s work as a jumping off point to explore the varied relationships civilizations have had to the heavens over time. While Holst structured his suite—which premiered at the Queen’s Hall in London in 1918—around the Solar System and its Greco-Roman mythological namesakes\, Rearranging the Planets casts a broader net to consider how societies around the world have looked to the stars. In the words of planetary scientist Carl Sagan\, “We are made of star-stuff. We are a way for the cosmos to know itself.” \nFeaturing Shea Pierre; Alfred Jordan\, Jr.; Xavier Molina; Max Moran; John Maestas; Gladney; Amari Ansari; and Cubs the Poet. With additional credits to Francis Wong\, Camille Lenain\, Meghan Stewart\, and Amina Scott. \nPerformances take place in NOMA’s Lapis Center for the Arts on Friday\, February 18\, and Saturday\, February 19\, at 8 pm. \nTickets are $30 | $25 for members \nBuy Tickets \n  \n\n\nPerformance Credits and Performer Bios\n\n\n\n\nSteve Lands\nHailing from the city of Baton Rouge\, Louisiana\, Steve Lands has been swaying stages\, clubs\, bars\, museums\, houses-of-worship\, and studios the world over for more than a decade now. He’s got the kind of skill that can only be gained from working with great artists from all walks of life. His experience ranges from shows with R&B/gospel Grammy winner PJ Morton; doing festivals with the Preservation Hall Jazz Band; and tours through Europe with Swiss pianist and composer Florian Favre to studio sessions with the Black Keys; jamming in DC with Dave Grohl of the Foo Fighters; playing in big bands with Ellis\, Jason\, Branford\, and Delfeayo Marsalis; and doing a tribute to David Bowie with Arcade Fire. Courage and care are his motivations for music and he’s got more than enough of both to give you a sonic fantasy.\n\n\n\n\nShea Pierre\nA native of New Orleans\, Louisiana\, Shea Pierre started his musical journey at the age of 4. He joined his family’s gospel group\, the Williams Sisters\, and began playing for various churches in the New Orleans area. He later attended the prestigious New Orleans Center of Creative Arts\, where he studied with Michael Pellera\, Chris Severin\, Ellis Marsalis\, and Jason Marsalis. While in high school\, he toured parts of South Africa with the Batiste Brothers Band from New Orleans. Shea is a 2014 graduate of Oberlin Conservatory of Music\, where he studied jazz piano with Dan Wall. He continues to travel and engage in different projects throughout the Midwest.\n\n\n\n\nAlfred Jordan Jr.\nBorn in New Orleans in 1993\, Alfred Jordan Jr.’s parents noticed the gift that was on their son. Growing up in church\, gospel music played a huge part in molding him as a drummer. Alfred’s skill sprouted\, awarding him a full scholarship to attend Berklee College of Music graduating with a B.A. Alfred’s love for music turned into his profession\, landing his gig as the current drummer for Big Sam’s Funky Nation and has also been fortunate to work with Donald Harrison\, Christian Scott\, Nicholas Payton\, Kent Jordan as well as his collective projects NwaSoul Project and Bignatiouss. Alfred is forever grateful knowing this is “for the love of music.”\n\n\n\n\nXavier Molina\nWe have watched Xavier Molina grow as an artist since 2006 when he first picked up the trumpet. Xavier has blossomed into a singer/songwriter\, drummer and trumpeter with a heart dedicated to making great music. Xavier has played with several independent bands in the New Orleans\, Atlanta and Alabama areas\, and never ceases to amaze the audiences anywhere.\n\n\n\n\nMax Moran\nMax Moran is a Louisiana born musician and composer who has become a first-call bassist across several genres in New Orleans’ thriving music scene. Known for his versatility on electric bass\, upright bass\, and synthesizer\, Moran provides a solid\, soulful foundation to a number of classic and progressive bands. Performing since the age of thirteen\, Max Moran spent over ten years as the bassist of jazz master Donald Harrison and has also shared the stage with artists such as Davell Crawford\, Leo Nocentelli (The Meters)\, Bernie Worrell (Parliament/ Funkadelic)\, and Grammy nominees Christian Scott and Jamison Ross.\n\n\n\n\nJohn Maestas\nGuitarist John Maestas was born in Albuquerque\, New Mexico and is now based in New Orleans. He started his career first as a sideman to many inspiring contemporary young artists performing original music\, while also accompanying and learning from New Orleans legacy artists who keep the traditions of their city’s music alive and thriving. He has become known as a versatile music producer working in studios writing\, recording & performing songs for world-class artists including Christian Scott\, Nicholas Payton\, Jamison Ross\, Wendell Brunious\, MonoNeon\, John “Papa” Gros\, Elzhi\, Nesby Phips\, Fiend and many others. In 2016 he co founded the independent record label Bubble Bath Records with 3 other friends that helps to educate\, elevate & empower over twenty young artists who need support in navigating the music industry. “The Dream Catcher”\, the debut album from Maestas’ alt-rock band Juan Tigre\, is music inspired by the iconic high desert imagery of New Mexico and imbued with the expansive folklore of the Southwest.\n\n\n\n\nGladney\nGrammy-nominated multi-instrumentalist and composer Gladney is a leading contemporary exponent of the saxophone. A 6th generation native of New Orleans’s Lower 9th Ward\, Gladney has performed and traveled professionally since the age of 12. Along with his work with The Rumble and the Jake Shears Band (Scissor Sisters)\, Gladney leads his own self-titled band and is preparing to release his debut EP and album this year.\n\n\n\n\nAmari Ansari\nAmari Ansari brings a fresh voice to the saxophone. The son of a gospel pianist\, the Alabama native credits his earliest interest in music to southern gospel and the late Alabama jazz educator Dr. Frank Adams Sr. Upon moving to New Orleans in 2009\, he was the recipient of the University of New Orleans’ Ellis Marsalis Jazz Scholarship where he would go on to graduate with a Master’s Degree in Music. This introduction to the Marsalis family led him to meet NEA Jazz Master Delfeayo Marsalis\, eventually becoming a long time member of the Marsalis led band the Uptown Jazz Orchestra. With his feature on Marsalis’ 2019 release\, Jazz Party \, Downbeat Magazine called Amari’s style\, “Hank Crawford meets Maceo Parker.”\n\n\n\n\nCubs the Poet\nCubs the Poet has been writing poems since 1989. Later in life\, he studied psychology in school and began thinking for himself. It wasn’t long before he decided to study life outside of the classroom. He began typing poems on a typewriter\, in the middle of the French Quarter on Royal Street\, in New Orleans\, Louisiana. He is now an artist-in-residence at the Columns Hotel and his Poetraits blend portraiture and poetry.\n\n\n\n\nFrancis Wong\nFrancis Wong grew up in the New Orleans area and escaped into art from a young age. He attended the New Orleans Center for Creative Arts and attended the University of New Orleans studying fine art and film. Hurricane Katrina interrupted his college education but educated him on so much more in life. His work is influenced by the magical realness of life in New Orleans and Southeastern Louisiana. Through mixed media paintings\, music and video\,he uses art to help heal ancestral trauma and PTSD. His work is a unique hybrid of his Chinese heritage and his Southern and American upbringing.  Francis has Exhibited all over Louisiana\, NYC\, and Oakland\, California.\n\n\n\n\nCamille Lenain\nCamille Farrah Lenain is a French-Algerian documentary and portrait photographer who grew up in Paris\, studied Photography at l’ESA in Brussels and at ICP in New York City (virtual). She relocated to New Orleans in 2013\, where she teaches photography at Tulane University and works on long-term projects with a focus on empathetic portraiture\, exploring the notions of representation\, collective memory and plural identities. Her clients include : Rolling Stone\, The New York Times\, The Washington Post Magazine\, T Magazine\, The Bitter Southerner and Libération. Her photographs have been exhibited internationally\, including at the Ogden Museum of Southern Art\, Festival In Cadaques\, Les Boutographies\, PhotoVogue Festival. She was previously an Artist in Residence at the Joan Mitchell Center and Nunu’s Arts Collective.\n\n\n\n\nMeghan Stewart\nMeghan Stewart is a musician\, designer\, and instructor currently residing in New Orleans\, LA. She designs exclusively for musicians\, understanding the connection between visuals and sounds. She’s designed for musicians such as Steve Lands\, multi instrumentalist Mahmoud Chouki\, singer and Berklee resident Cindy Scott\, and others.\n\n\n\n\nAmina Scott\nAmina Scott\, born and raised in Oakland\, CA\, is an upright and electric bassist\, composer\, and arranger. Her interest in music began at an early age when her grandmother began giving her piano lessons. From then\, her love and passion for music has yet to cease\, playing electric bass at the age of twelve and was soon playing gigs with local bands in Oakland. In 2017\, Amina joined the New Orleans Jazz Orchestra led by Adonis Rose. Now based in New Orleans\, Amina leads her own band and she has performed with various artists including Dee Dee Bridgewater\, Steve Turre\, Wessell “Warm Daddy” Anderson\, Nicholas Payton\, David Murray\, Jamison Ross\, Joanne Brackeen\, Herlin Riley\, Christian Scott Atunde Adjuah\, and more.\n\n\n\n\n\nAbout Creative Assembly\nCreative Assembly is a community engagement initiative by the New Orleans Museum of Art that uses neighborhood-based participatory art experiences as a vehicle for personal exploration\, community collaboration\, and social change. \nLearn more \nNOMA’s Creative Assembly community engagement initiative is supported by the Wagner Foundation. \n \nCovid-19 Safety Guidelines\nNOMA’s primary concern is the health of our visitors\, staff\, and community. At this time\, visitors to the museum ages 12+ are required to show proof of two doses of a Covid-19 vaccine (or one dose of the Johnson & Johnson vaccine) or negative results of a Covid-19 test taken within 72 hours of your visit. Visitors ages 5–11 are required to show proof of one dose of a Covid-19 vaccine or negative results of a Covid-19 test taken within 72 hours of your visit. All museum visitors are required to wear a face mask covering the nose and mouth while indoors.
URL:https://nomastaging.org/event/rearranging-the-planets/2022-02-18/
LOCATION:New Orleans Museum of Art\, 1 Collins Diboll Circle\, New Orleans\, LA\, 70119
CATEGORIES:Performances,Creative Assembly
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210725T150000
DTEND;TZID=America/Chicago:20210725T180000
DTSTAMP:20260430T031633
CREATED:20210713T192117Z
LAST-MODIFIED:20220411T210404Z
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SUMMARY:Opening Reception: What Is Harmony?
DESCRIPTION:NOMA\, the New Orleans Photo Alliance\, and New Harmony High School celebrate the opening of What Is Harmony? with a public reception. \nBuilding on an ongoing collaboration between New Harmony and the New Orleans Photo Alliance\, NOMA collaborated with local students this past spring to explore the fundamentals of photography and curating with some of the city’s foremost artists. The culmination of this project\, What Is Harmony?\, is on view to the public on an exterior fence to the Sydney and Walda Besthoff Sculpture Garden. Read more about the development of the project here. \nThis event is free and open to the public. \nRegister Now \nNOMA’s Creative Assembly community engagement initiative is supported by the Wagner Foundation.
URL:https://nomastaging.org/event/opening-reception-what-is-harmony/
LOCATION:Louisiana 
CATEGORIES:Special,Creative Assembly
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210619
DTEND;VALUE=DATE:20210620
DTSTAMP:20260430T031633
CREATED:20210601T194634Z
LAST-MODIFIED:20211202T170218Z
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SUMMARY:Honoring Juneteenth at NOMA
DESCRIPTION:Join us at NOMA for a day of activities to honor Juneteenth—the annual holiday commemorating the end of slavery in the United States—and support the ongoing movement for justice\, equity\, and liberation. Come together on the Museum steps for family art-making; experience a moving dance performance co-presented by Edward Spots and Magnolia Dance & Company; view a photographic banner created by students at New Harmony High School; and delve into online programming. Stop by throughout the day to share what honoring Juneteenth means to you. \nAll events and activities are free. To reserve your free ticket for admission to NOMA and the Besthoff Sculpture Garden\, click here.  \nJuneteenth refers to June 19\, 1865\, when Union general Gordon Granger read out federal orders declaring that all people previously enslaved in Texas were free\, nearly two and a half years after President Abraham Lincoln issued the Emancipation Proclamation. Through grassroots efforts\, Black people in Texas reclaimed June 19 from a day of unheeded military orders as the first celebration of “Juneteenth” a year later in 1866\, and it continues as a celebration for Black liberation across the country. To learn more\, see  “What Is Juneteenth?” by Henry Louis Gates\, Jr. \n  \n\n\n\nPrograms and Events\n\nEdward Spots: Motion to Move\n\n\n 2 pm and 4 pm\n\n\n Lapis Center for the Arts\n\n\n \n\n\nMotion to Move is a performance event by renowned dancer and choreographer Edward Spots with Magnolia Dance & Company. This original work will honor the history of Juneteenth\, while considering the legacies of enslavement and brutality that still exist within our current prison system and elsewhere.\n\n\n \n\n\nTickets are available on a first-come\, first-served basis at the museum on the day of the event.\n\n\n \n\n\nArtmaking Activity: Freedom Flag Wind Catchers\n\n\n 10 am–5 pm\n\n\n Great Hall\n\n\n \n\n\nWhat does freedom mean to you? Take inspiration from the Juneteenth holiday flag\, known as the “freedom flag\,” to create your own wind catcher using paper rolls\, beaded wire\, and streamers.\n\n\n \n\n\nWhat Is Harmony?\n\n\n Exterior Fence to the Besthoff Sculpture Garden\n\n\nBuilding on an ongoing collaboration between New Harmony High School and the New Orleans Photo Alliance\, this spring NOMA collaborated with local students to explore the fundamentals of photography and curating with some of the city’s foremost artists. The culmination of this project\, What Is Harmony?\, is on view to the public starting June 19. View a collaborative photo narrative reflecting on what it means to find balance with ourselves\, our communities\, and the environment.\n\n\n \n\nDue to the weather\, this project will be installed at a later date and will not be on view on June 19.\n\nAfricaTown USA\n\n\n Available Online Starting June 19\n\n\n\n\nAmistad Research Center presents Conversations in Color featuring community activist Hannibal Lokumbe and the pastor of Union Missionary Baptist Church of AfricaTown USA\, Rev. Derek Tucker. They will discuss the cultural restoration of the historic community of AfricaTown\, which was founded in 1866 by the survivors of the last documented slave ship to transport enslaved Africans to the Americas. The Amistad Research Center will also share an oral history of AfricaTown descendant Lorna Woods.\n\n\n\n\n \n\n\nClick here to watch this program virtually.\n\n  \n\n  \n                                                \nEducation and outreach initiatives at NOMA are supported in part by the Zemurray Foundation; the Lois and Lloyd Hawkins Jr. Foundation; The Helis Foundation; The Gayle and Tom Benson Foundation; The City of New Orleans; IBERIABANK; The Wagner Foundation; Janice Parmelee and Bill Hammack; the Diversifying Art Museum Leadership Initiative\, funded by the Walton Family Foundation and the Ford Foundation; Sara and David Kelso; Patrick F. Taylor Foundation;  Dr. Scott S. Cowen; The RosaMary Foundation; The Azby Fund; the Louisiana Division of the Arts\, Office of Cultural Development\, Department of Culture\, Recreation & Tourism\, in cooperation with the Louisiana State Arts Council and the National Endowment for the Arts\, a Federal agency; The Collins C. Diboll Private Foundation; Burkenroad Foundation; Marian Dreux Van Horn Education Endowment; The Andrew W. Mellon Foundation;  Ruby K. Worner Trust through the PNC Charitable Trusts Grant Review Committee; The Harry T. Howard III Foundation; New Orleans Jazz & Heritage Festival and Foundation\, Inc.; Harvey and Marie Orth; The Bruce J. Heim Foundation; and Mrs. Bennett A. Molter\, Jr. This project is supported in part by the National Endowment for the Arts. 
URL:https://nomastaging.org/event/honoring-juneteenth-at-noma/
LOCATION:Louisiana 
CATEGORIES:Special,Creative Assembly
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210428T180000
DTEND;TZID=America/Chicago:20210428T180000
DTSTAMP:20260430T031633
CREATED:20210419T182049Z
LAST-MODIFIED:20211202T170233Z
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SUMMARY:A Choice of Weapons: Photography\, Surveillance\, and Ethics
DESCRIPTION:Gordon Parks famously stated that photography was his “choice of weapons” against racism\, intolerance\, and poverty. While photographs have certainly been used to document and advance social justice causes in the past\, the use of photography in recent protest movements has demonstrated one of the dangers of the medium. While protest photographs have amplified these movements’ messages and visibility\, those very same photographs have been used against their makers by other authorities. This panel will explore the new emerging chapter in the ethics of photography\, considering how the digital\, social world has made photography an instantaneous and global “weapon” that can slip easily from one hand to another\, and offering guidance on ethical and inclusive approaches to protest photography. \nPanelists include Caroline Sinders\, Brian Palmer\, and Tara Pixley. The program will be moderated by Russell Lord\, Freeman Family Curator of Photographs\, Prints\, and Drawings at NOMA. \n  \nREGISTER FOR THIS VIRTUAL PANEL \n  \n  \nAbout Creative Assembly\nCreative Assembly is a community engagement initiative by the New Orleans Museum of Art that uses neighborhood-based participatory art experiences as a vehicle for personal exploration\, community collaboration\, and social change. At the New Orleans Museum of Art\, we are committed to connecting to people both within and beyond the museum walls\, and dedicated to developing sustained relationships with the individuals\, organizations\, and diverse communities of New Orleans. Bringing together community members\, artists\, community-based organizations\, and museum staff\, the Creative Assembly Initiative facilitates community-generated art projects and programs in New Orleans neighborhood spaces and at the museum. \n  \nVisit NOMA\nSee the exhibition New Photography: Create\, Collect\, Compile at NOMA through June 6\, 2021 \nRESERVE TICKETS \n\n  \n                                \n  \nNOMA’s Creative Assembly Community Engagement Initiative is supported by the Wagner Foundation. To learn more about the Wagner Foundation\, please visit  www.wfound.org.   \nThis project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov.
URL:https://nomastaging.org/event/a-choice-of-weapons-photography-surveillance-and-ethics/
LOCATION:Louisiana 
CATEGORIES:Special,Creative Assembly
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