Past Exhibitions

Hanaq Pachap: Art of the Indigenous Guilds of Viceregal Peru

ended on April 26th, 2026

The paintings included in “Hanaq Pachap” illuminate the Indigenous Catholic religious practices and adaptations of European visual sources developed by Indigenous and Mestizo artists in the highlands of Peru and Bolivia during the 17th and 18th centuries. Read More

Nicolas Floc’h: Fleuves-Océan, Mississippi Watershed

ended on March 1st, 2026

This exhibition pairs vibrant monochromatic photographs of the color of water made under the surface with dramatic black-and-white landscape photographs made along the banks of the Mississippi and its tributaries—from Louisiana and across the country. Read More

Dawoud Bey: Elegy

ended on January 4th, 2026

Through the interweaving of three photographic series—”Stony the Road “(2023), “In This Here Place” (2019), and “Night Coming Tenderly, Black” (2017)—Bey offers a framework through which to conceptualize the landscapes of Virginia, Louisiana, and Ohio (respectively) not merely as sites of a troubled history, but also as places that still hold the memories of our shared American past. The exhibition also includes two films: “Evergreen” (2019) and “350,000” (2023). Read More

The View from Here: Women Photographers of the American Landscape

ended on January 4th, 2026

The photographs included in “The View From Here: Women Photographers of the American Landscape”—all of which are from NOMA’s permanent collection—illustrate some of the exceptional diversity of landscape photographs made by women artists working in the United States since the year 1900. Read More

Carlo Saraceni’s Our Lady of Loreto and Peruvian Viceregal Statue Paintings

ended on December 28th, 2025

Paintings of richly dressed statues of the Virgin Mary were among the preferred themes in Spanish and Peruvian 17th- and 18th-century painting. This installation reflects the gradual process of adoption and adaptation of this iconography by Indigenous and Mestizo artists in Viceregal Peru in the creation of Marian images. Read More

Delicate Sights: Photography and Glass

ended on July 14th, 2025

This exhibition looks at several processes and formats of photography made on glass surfaces—ambrotypes, magic lantern slides, and glass plate negatives—illustrating ways that glass facilitates the production and presentation of photographs, and offering a chance to consider its unique visual qualities. Read More

John Scott: Blues Poem for the Urban Landscape

ended on June 29th, 2025

One of the most globally renowned artists in the history of New Orleans, John T. Scott worked in a variety of media, including the monumental prints that make up the artist’s series Blues Poem for the Urban Landscape. This installation of ten woodcut prints in NOMA’s Great Hall includes that entire series, in which Scott uses the landscape form to visualize the history and visual cacophony of New Orleans. Read More

Prospect.6: The Future Is Present, The Harbinger Is Home

ended on February 2nd, 2025

Founded in 2007, Prospect New Orleans is a citywide triennial exhibition of contemporary art featuring artists from Louisiana and around the globe. For P.6, Tuấn Andrew Nguyễn has created a two-channel film made in collaboration with musician Thảo Nguyễn and New Orleans-based producer and director Marion Hoàng Ngọc Hill. Read More

Rebellious Spirits: Prohibition and Resistance in the South

ended on January 5th, 2025

Rebellious Spirits: Prohibition and Resistance in the South explores the unique methods in which the South, in particular New Orleans, dealt with the passage of the 18th Amendment to the Constitution, which banned alcohol in the United States. Read More

Come! Come! Come!: A Triptych by Wang Qingsong

ended on November 29th, 2024

The contemporary artist Wang Qingsong creates elaborately staged large-format photographs that focus on the dramatic social, political, and cultural changes in China in the post-Mao era. Qingsong’s 2005 triptych Come! Come! Come!, on view in the Stafford Gallery this spring, both documents and comments upon the embrace of capitalism and the rapid Westernization of China in the 1990s through the early 2000s. Read More

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